Doors: | 5:30pm // Show: | 7pm
“Hey tomorrow people / how do you like it there? / How do you see yourself / and how does now compare?” Jeremy Ivey asks with the song “Tomorrow People” at the start of his second studio album Waiting Out The Storm. On this record Ivey takes a wider look at the world around us—the landscape, the people that populate it, and the ways in which we help each other survive against all odds. With his band the Extraterrestrials, Waiting Out The Storm finds Ivey expanding his sound and lyricism with electricity coursing through his veins and a passionate sense of urgency in his words.
Waiting Out The Storm is Ivey’s follow-up to last year’s The Dream and the Dreamer, which was described as acollection of “image-rich storytelling with brooding psychedelia” by the Nashvile Scene while Rolling Stone said it evokes “ ‘Mutations’-era Beck along with classic country.” Both of these records are the latest step in Ivey’s music career and fascinating life story so far. Upon his birth in San Antonio, Ivey suffered a stroke due to his birth mother’s drug addiction that resulted in a diagnosis of cerebral palsy. “It affected a side of my brain, so if anything it might’ve made me more creative,” Ivey states.
He was eventually adopted and raised in a strict Christian household, spending most of his adolescence in homeschooling. “I wasn’t allowed to listen to anything except classical and Christian music,” he remembers. “I eventually became good at two things—playing music, and writing poetry.” He later came in contact with classic rock and folk music near the end of his teenage years.
A free spirit before establishing his current roots in Nashville, Ivey journeyed across the United States, living in a tent in Colorado and eventually spending a period of time homeless in Boston. These lived experiences inform Ivey’s songwriting to this very day. Under the multifarious sounds that comprise Waiting Out the Storm—a record that spans Beatles-esque psychedelia, driving folk-rock, and the type of full-band barnburners that Neil Young and Crazy Horse are known for—that streak of empathy shines brightly.
Ivey wrote most of this album on the road with frequent collaborator, wife, and country phenom Margo Price, taking a lyrics-first approach for the first time in his career—and Price, who also produced The Dream and the Dreamer, joined him in the booth again here. “I work so quickly that I just wanted to not have to get anyone else involved,” he enthuses. “I trust her, and it’s good to have her there to reassure me.” Waiting Out the Storm is as much a showcase for Ivey’s band the Extraterrestrials as well, with a full-bodied and unmistakably human sound that makes you feel as if you were just a few feet away from seeing them on the stage.
